Tag: art night

The Reward of Private Art Lessons

The Reward of Private Art Lessons

Posted on by Kathy Dennin-Meagher

The reward of treating yourself to something comes with age. We earned the reward with hard work and therefore, the thrill of receiving it is so much sweeter. When we allow ourselves time to focus on our own needs, we want that reward to be fulfilling and special, like taking private art lessons.

Taking art lessons when you are an adult is satisfying on many levels. The first reason is that we are making time for enrichment and knowledge. Second, we are looking for new experiences that open us up to growth. Lastly, we have a need to create or nurture an inner voice or creativity.

 

Of course, this does not mean you’re an artist looking for a formal education. Private art lessons mean different things to different people. It can be that one thing you do for yourself for no other reason than to explore a new world or activity. Art can also be as important as exercise when it comes to wellness. As we age and take control of our free time we look more to mental and physical health. I have often heard from my adult students  that it “clears their mind” and is “relaxing” after class.

In fact, according to Psychology Today’s article on art making and stress reduction, adults may experience a measurable reduction in their cortisol levels after a 45-minute art making session. Cortisol is often defined as a “stress hormone” that is correlated with levels of stress in the body. So, we suggest that along with that Paleo diet and yoga or Pilates, a private art lesson or two might just be what the doctor ordered.

During your private are lessons, you will be catered to and creatively met at your level. Art is personal with us and we customize your learning to draw paint or print so it inspires you and helps create lifelong learning. Why not try a class?! We even accommodate your time. After all,  time is the most precious commodity we have…well, that’s what we have learned now that we are older and wiser. Contact me for more information on private art classes.

Get out and get creative,

Life is Colorful

Life is Colorful

Posted on by Kathy Dennin-Meagher

In a recent meeting with a group of very creative people, someone made the comment, “Color is scary for some people.” That statement really threw me off guard. I don’t understand how color can be scary. It’s just an odd concept to me, since I feel that color is life itself. Color is associated with so many things in our day to day lives, like moods, the seasons, appetite, gender, light, sports, identity and so much more. In fact, there is even a color of the year chosen yearly and psychology of color too. So, how can color be something to be afraid of when it’s all around us?

Photo source: graphicdesignjunction.com

If you are afraid of color, it may because you don’t understand color and how colors work together. A good, simple, old school approach to becoming comfortable with using color is to use the color wheel. The color wheel is a circular chart for color reference. Every color can be made by using the primary colors, which are red, yellow, and blue, and adding the neutrals of black and white. When you mix yellow and blue you get green. Mix red and blue and you will get purple, and if you mix yellow and red, orange is the result. Orange, green and purple are called secondary colors because they are derived from the primary colors. Finally, there are tertiary colors, which are a third set of colors that are made using primary and secondary colors. For example,  when you mix purple with blue the result is blue violet. If you mix purple with red, you’ll get magenta. The placement of the colors on the color wheel show you how colors will work together in your art.

Photo source: www.slideshare.net/Presentitude

When you begin working with color, keep it simple by selecting no more than three colors to use in your art. This simplicity will help you develop an eye for color. Then once your eye is trained, you can ask yourself what your art needs. Color can make your world a happy place or a place of solace. It’s all around you and the non-verbal messages are sent daily into your world. Don’t be afraid of it – come and explore it in a class. On April 10th and May 9th you can come paint with colorful alcohol inks.

Get out and get creative this month…

Pour Painting

Pour Painting

Posted on by Kathy Dennin-Meagher

So what is a Pour painting? “Pours” seem to be trending in the art world today. If you remember doing Spin Art at a carnival or at school, then the pour painting artwork is going to be a bit of a throw back for you. The best part is that this art form is all based on the luck of the draw and is stress-free! Each piece is created by the ebb and flow of weights of paint, medium and silicone. The outcome of your art will be a fun surprise and a new discovery each time. Pour painting is a great place for novice artists to start because it is so non-threatening and inviting.

Breaking the pour painting process down is very easy. All you need are are cups, any acrylic paint (Folk Art to Goldens will work here), mediums, silicone, and distilled water. The tricky part is controlling the mess because everything shifts like oil and water. There are many recipes out there for this painting process and they can range in price, so choose what works best for you.

If you want to try it without the price rage of expensive name brand mediums and the messiness of silicone, you can use Elmers Glue All (not school glue) and acrylic paints . It is important that you use liquid body acrylics for they lend themselves to be poured.

Here is our recipe for those who have secured a flat surface space where they can leave their creation for 24 to 48 hours while drying.

  • Mix one part acrylic paint and two parts Elmers glue all together completely.
  • Then add a half part distilled water.
  • Mix all together until you get the consistency of pancake batter.
  • Tip: 1oz shot glasses are great for measuring, but you can also pour all into a cup sitting on a kitchen scale to measure that way.
  • Repeat this process for each color you would like to use.
  • Once you have all three colors prepared, you mix them together in one cup and pour them onto your canvas by turning your cup completely over and lifting up swiftly and completely. Or, you can pour each color on individually and watch them combine.

Three colors will produce the best color combinations. Remember starting with primary colors will result in beautiful secondary colors! It is also fun to do something in the same color family like a series of blues and add white, or a series of reds and add a yellow.

There are endless ways to create your pours and those that are adventurous will experiment with the process trying many different approaches from the dirty cup to a direct pout of each color. How you pour it on is up to you. The key to success is the drying process. You should make sure that you do not move your pour art until it is fully dry — at least 24 hours. The glue recipe does dry faster than if you were using a medium and the silicone. That is why we encourage you to try this at home.

If you want to create a “wow” piece you can always take a Pour it On art class at our studio. We use the silicone and medium together along with the water and paint, which allows the paint to rise to the surface and pop through creating little “cells” of color. Many of these paintings look like geodes because of the cell formation. Click here to learn more!

Get out and get creative!

Art Studio at Home

Art Studio at Home

Posted on by Kathy Dennin-Meagher

I used to day dream about having an art studio at home. I always put off creating one because I thought I needed a certain space, the perfect design and money to build it. You might be dreaming about a studio of your own — especially if you see blog posts by other creatives that feature their home studios. Well, I am here with a little wake up call! Or, in the words Nike borrowed from Andy Warhol…just do it! Actually I think the words he used were “don’t think about making art, just get it done”. Either version applies here, though!

There are many glamorous images in peoples minds as to what makes a great studio space. We have all seen beautiful spaces transformed into a creative studio space with dazzling white walls, industrial floors, and lots of natural light. In these photos, everything seems to have a place and everything is in it’s place. In fact, there are many HGTV shows that focus on just this topic. I let not having the ideal space at home keep me from creating art for many years before I had that “ah ha moment”.

Accessibility

Really the main ingredient for a studio space, no matter how large or small, is accessibility. For many years I pushed back the tablecloth and worked at my kitchen table. The main reason I did this was because I had easy and quick accessibility with, of course, great lighting! Whether you stand or sit in your space is really not important. Whether its new or old,  clean or cluttered, doesn’t matter. The determining factor for you should be accessibility! If it’s not convenient, you will never take the time to do your project or create when inspiration hits.

Close the Door

You also want to be able to close a door and walk away. Working in this manner whether it be at sewing, writing or painting, will allow you to pick up where you left off. I have toured many friend’s home studios locally and found them to be everything from a small table in the attic by a window in an empty bedroom, or just a clean spot at the end of the kitchen table. We all imagine the perfect setting and think it will produce better work, but honestly it just doesn’t always exist for the talented artists that I know.

If you want to start to create, find a small pocket of space and start! Don’t make excuses or hold your self back — and don’t wait for someone to go off to college either. I’m baring a little bit of my soul here, but here is my space. No judgments. Just use this post to add fuel for your fire!

If your haven’t found your creative corner in your home yet, don’t worry, I have the perfect spot for you to create. Come join us at any of our workshops this February. Use this link to see all of the classes that are available. I’m happy to share my creative space with you!

Get out and get creative!

Block Printing

Block Printing

Posted on by Kathy Dennin-Meagher

Some of you many remember block printing from your middle school or high school art class — and not in a fond way. I still hear horror stories from clients that remember trying to carve into hard, brittle linoleum blocks and trying not to stab themselves, all while trying to make something artistic in the process.

Well, my friends, those days are gone! Speedball and companies like Moo Carve have created the “soft block”. This new material is thicker, softer and allows for intricate and detailed carving all while saving your poor fingers from injury. The soft block allows you to carve with ease and focus on your design instead of fearing it.

February is a great time to reignite your love for block printing, by making you Valentine’s cards! The block printing process allows for the printing of multiple copies of the exact image which makes it a great choice for your Valentine’s cards. You can even print the same image and embellish it with markers making slight variations to the same design. You can even get your little ones in on the fun, by having them help with the printing process or by having them embellish the prints. Each card can be different and as special as the person it’s intended for.

If you decide to do tackle block printing at home you will need the following supplies that can be found at art supply stores like Art Things in West Annapolis or online here: 

  • an ebony pencil (for sketching and making a transfer backing)
  • your carving tool
  • a soft pink or blue speedball linoleum block
  • a soft roller for inking
  • smooth non textured paper
  • water soluble ink in the color of your choice

After drawing the image onto paper, simply rub the ebony pencil on the back of your design, making a carbon or graphite back. It can easily be transferred to the block by drawing over the design again. Carve out your design and then you are ready to apply the ink to the carved design. The process is trail and error until you get the feel for the brayer and ink. Then carefully turn over the inked block and press firmly and/or massage the block to transfer the ink to the cardstock.

If you have a change of heart and would like to take a class on block printing first, please come see me on Saturday, February 10th. Use this link to learn more about the class and to sign up yourself or with your family. Once you learn this skill/art form you will want to personalize every paper surface and tee shirt you own!

Let’s connect and create,